Toon Boom at CTN 2011, Booth B-37

Mark your calendar as Toon Boom has organized a great panel during CTN , on November 18 at 12:30 pm in the Screening Room.

Here are the details:

Higher Education and Industry in Harmony
Every major studio around the world makes use of Toon Boom Harmony. Today’s graduating students need to have knowledge of the entire animation production pipeline. Studios are looking for people who understand more than just how to ink and paint, many employers use a skilled worker to work on multiple stages in the pipeline. Making Toon Boom products the core technology in colleges and universities gives students the competitive edge they need when embarking in their career in the animation industry. This panel brings together industry experts and higher-ed representatives who will share on their production pipelines and team qualifications as well as their animation programs respectively.

Lilly Vogelesang Moderator
Alex Teslik, Director, Digital Production, Disney Television Animation
Joel Kuwahara, Co-Founder/Executive Producer of Animation for FOX’s “Bob’s Burgers”, Allen Gregory and Supervising Producer for Comedy Central’s “Brickleberry”
Richard Vertolli, Chair of the Animation department, Associate Professor, California College of the Arts.
Mike E. Libonati, Department Chair, Media Arts and Animation and Visual Effects, Art Institute of Los Angeles

See you there!

The Trailer for Disney’s New Pooh Movie Available

Scheduled for a release in Summer 2011, this new feature brings back one of the most popular animated characters. Titled Winnie The Pooh, this feature is created using the Toon Boom Harmony pipeline.

Scary Larry by Timoon Animation done using Toon Boom Harmony

Check out the latest post by Aaron Simpson on ColdHardFlash related to Scary Larry created by Timoon Animation.

Toon Boom Releases Storyboard Pro 2

Toon Boom Animation Inc. today announced the release of Toon Boom Storyboard Pro 2, a new version that delivers superior drawing tools, impressive camera motion capabilities, Final Draft 8 integration and a powerful PDF export engine, to name a few. Storyboard Pro 2 is the must-have tool for creative thinking during pre-production, offering the most efficient environment for idea creation, development and visualization.

Sherm Cohen, Storyboard Artist and Director at Disney, Cartoon Network, Nickelodeon, and owner of the http://www.StoryboardSecrets.com site had this to say about Storyboard Pro 2:”Toon Boom Storyboard Pro is the only application that’s specifically designed for storyboarding, so there’s no need to come up with endless workarounds. I’m so glad there’s a program that can understand the difference between scenes and panels, and automatically keep everything numbered and labelled correctly no matter how much I move panels around.

Toon Boom Storyboard Pro is flexible enough to easily import hand-drawn sketches that can work right beside the panels that are digitally drawn in the program. The fact that I can import scripts and text right into my panels saves me tons of time — I don’t have to spend hours writing captions…I can quickly type them in or import the text from scripts or text files.

The combination of onion-skinning, layers and the timeline make this program my most-used storyboarding tool — I easily spend 50 hours a week storyboarding with this program alone. From thumbnailing to cleanup, to PDF output and animatics, Toon Boom Storyboard Pro is the all-in-one application for storyboard artists.”

Training
Toon Boom Storyboard Pro 2 comes with a complete new set of online video tutorials developed by Sherm Cohen, Storyboard Artist and Director at Disney, Cartoon Network, Nickelodeon, and owner of the http://www.StoryboardSecrets.com site. Totalling over 3 hours, these tutorials cover the following topics: Introduction, Getting Started, Discovering the Interface, Script and Panels, Drawing, Adding Colours, Layers, Library, Animatic, Storyboard Supervision and Export.

Pricing and Availability
Buy Toon Boom Storyboard Pro 2 now at the special launch price of $799.99 US, valid until August 18, 2010. Toon Boom is also introducing a 12-month rental option at $299.99. Upgrades can be purchased at $449.99 US.

Information about Toon Boom Storyboard Pro 2 is now available online.

Toon Boom Congratulates Disney and Brown Bag for their Oscar Nominations

Congratulations to John Musker and Ron Clements from Walt Disney Animation Studios, and Nicky Phelan and Darragh O’Connell from Brown Bag Films for their well-deserved Oscar® nominations.

Toon Boom recognises the great accomplishment achieved by these studios and individuals for being included in the Academy Award® nomination shortlist.

Disney’s The Princess and The Frog is nominated in the Animated Feature Film category, while Brown Bag Films’ Granny O’ Grimms Sleeping Beauty is nominated in the Short Film (Animated) category.

A nice post on The Princess and the Frog

Toon Boom is so thrilled by the theatrical release of The Princess and the Frog and encourages all animation fans to go see the movie this week-end!
Here is an excerpt from a post explaining how the project started and mentioning Toon Boom Harmony:
“The film promises to return to the Broadway-style musical in the style of the successful Disney films like Walt’s classics, and the musical renaissance of the late-1980s and all of the 1990s. Rhett Wickham also reported that John Lasseter had personally asked Ron Clements and John Musker to direct and write the film, and had let them choose in what form (either traditional animation or CGI) they wanted the film to be made. Toon Boom Animation’s Toon Boom Harmony software is being used in the digital processing of the film, as the old CAPS system Disney developed with Pixar in the 1980s is now outdated.”

Read more

A nice post on the Princess and the Frog

Toon Boom is so thrilled by the theatrical release of The Princess and the Frog and encourages all animation fans to go see the movie this week-end!
Here is an excerpt from a post explaining how the project started and mentioning Toon Boom Harmony:
“The film promises to return to the Broadway-style musical in the style of the successful Disney films like Walt’s classics, and the musical renaissance of the late-1980s and all of the 1990s. Rhett Wickham also reported that John Lasseter had personally asked Ron Clements and John Musker to direct and write the film, and had let them choose in what form (either traditional animation or CGI) they wanted the film to be made. Toon Boom Animation’s Toon Boom Harmony software is being used in the digital processing of the film, as the old CAPS system Disney developed with Pixar in the 1980s is now outdated.”

LASSETER TALKS PRINCESS AND THE FROG AND 2D

At a recent press conference, John Lasseter, chief creative officer at Pixar and Walt Disney Animation Studios, touted the return of 2D with THE PRINCESS AT THE FROG (opening today in LA and New York and expanding Dec. 11).

“As we started working on this film and getting people to come back, it was so exciting because some of the artists left the studio that were working on hand-drawn animation because they didn’t want to be re-trained for computer animation. Some of the artists were re-trained. So we brought both of those groups back together — and never, ever in my career, have I worked with a group of artists that had more to prove to the world that this art form is spectacular…

“And I believe strongly that there are certain things you can do in 2D animation and still can’t do in CG. I think, actually, when you look at PRINCESS AND THE FROG and the amazing animation of Louis the alligator, I’m not sure that would be quite the same way in computer animation. And I always say that if you look at SNOW WHITE AND THE SEVEN DWARFS, that the animation of the dwarfs themselves is something that’s pretty much impossible to achieve in computer animation. That fluidity, that squash-and-stretch, that kind of stuff just works with hand-drawn animation. Also, the rich painted backgrounds, we took a look at the films that Walt Disney made because I asked them to aim high: I said, ‘Let’s make great art.’ So we chose LADY AND THE TRAMP and BAMBI for the bayou scenes, the nature, the way that that was represented there, almost an Impressionistic point of view at times. And then with LADY AND THE TRAMP, the scenes of the humans and the architecture of the character design is just the pinnacle of what was Disney’s personal style.”

Afterward, Lasseter elaborated on the importance of this hand-drawn movie for the industry. “I think this is extremely crucial,” Lasseter told AWN, “because it hasn’t been done [in quite a while]. There are naysayers out there who think that the reason to dismantle the 2D animation at all the studios was because they thought the audience only wanted to watch CG. And I don’t believe that at all. You have a group of artists who really want to prove that audiences will love this movie and I think it’s about the storytelling — what you do with the medium.”

As for the future of 2D at the studio, Lasseter spoke about the next animated feature slated for spring 2011. “We’re doing WINNIE THE POOH — it’s the next hand-drawn animated film coming out of the studio; we have other things in the works (nothing’s been announced). But we’re really excited about that. And we’re really excited about the return of WINNIE THE POOH and to do it the way the original WINNIE THE POOH AND THE HONEY TREE was done by Walt Disney.
Source: AWN

A great review of the Princess and the Frog by the New York Times

The hand-drawn animated Disney film set in jazz-soaked 1920s New Orleans is a refreshing, lively version of the fairy tale.
By Betsy Sharkey FILM CRITIC

Read more

The Art of Traditional Animation at its Best using Animate Pro

Pups of Liberty by Picnic ProductionsBased in Glendale, California, Picnic Productions is a unique independent animation studio recognized for its high quality standards and for its passion for traditional animation. Considering their studio size, they are the masters at the virtual studio concept. Indeed, they have the ability to expand or contract with the needs of the production by using freelancers all over the world that communicate with them and send their work to them online. “We can see and show story reels, pencil tests, clean-up work, and approve final color scenes without anyone ever having to travel. This is a great way to insure that we have the best artists possible working for us since location is not an obstacle- for example, on Pups of Liberty we had a background painter send us her files from London. Toon Boom software makes this all possible,” commented Jennifer.

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